Jeezy Blames Freddie Gibbs For Messing Up His Relationship With Eminem

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After being touted as the next deadly combination to takeover the rap game, it appears the relationship between Jeezy and Freddie Gibbs is completely strained.

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T.I., Trey Songz And Rich Homie Quan Join Jeezy In ‘Me OK’ Video

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Jeezy has had the streets on lock for a decade, and he shows that nothing’s changed in that department in the “Me OK” video.

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Not Guilty Verdict For Trayvon Martin Trial Rattles Hip-Hop Community

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On Saturday night (July 13) a not guilty verdict was handed down in the Trayvon Martin trial, acquitting George Zimmerman of second-degree murder and manslaughter in the death of the 17-year-old, and the ruling has sent the nation and the hip-hop community reeling. Stars like Nicki Minaj and Rick Ross sent their love to slain teen’s family, while other artists like Solange Knowles urged fans to protest and Young Jeezy released a new tribute track.

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The Most Anticipated Hip Hop Albums Of 2012

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The staff at Gutta World highlights 10 releases this year that we are personally excited about. And no, we’re not counting on “Detox” either.

After so many colorful releases in 2011, Hip Hop fans have a lot to look forward to in 2012. No, we’re not actually basing our hopes on Dr. Dre’s Detox or Jay Electronica’s elusive debut, the mythical merger of Nas and DJ Premier or the long-delayed complete reunion of Goodie Mob. Like any fan, we would love if any or all of those released before we purchased new calendars, but there are a plethora of albums already underway that have a ton of promise in making this year musical.

Younger artists who had powerful impact in ’11 as well as some “golden era” alumni keeping the hardcore alive are slated to make bold statements with their music this year, and the Gutta World staff sat down and compiled 10 releases that we can count on, and why we think they’ll make 2012 all the more exciting.

The Ecology by Fashawn


Few debut albums in recent memory were as potent and honest as Fashawn’s 2009 debut Boy Meets World. The independent release, produced entirely by Exile, helped rush the forefront of a West Coast renaissance of music coming from young emcees with wisdom well beyond their years. Late this summer, when the Fresno DXnext alum announced that he was going to uphold the formula with Ex on the boards, the Gutta World staff rejoiced. Expect colorful sample-driven sounds and common-man themes as the Young Santiago helps expand his legacy as one of the more resonant voices of this time. As Common, Talib Kweli and Mos Def all began as independent artists in the ’90s before reaching mainstream stature, Fash is another poised to have that kind of impact.

Trouble Man by T.I.


2010′s No Mercy felt like a rushed T.I. album, as the Grand Hustle founder was quickly recording as a free man before serving for his latest (and hopefully last) felonious brush with the law. Given Tip’s track record for every-other-album being outstanding (see Paper Trail and King), the album sharing a name with the Marvin Gaye hit sounds audiobiographical and brutally honest before it even nears roll-out. Hopefully the man who made Atlantic Records relevant to Rap music can go in and delicately walk that line with a mainstream-friendly album that still carries plenty of trappings.

The Kolexion by Bumpy Knuckles & DJ Premier


Dating back to O.C.’s Jewelz, Bumpy Knuckles and DJ Premier share a musical chemistry that reflects their strong personal bonds. Two “kings of the underground sound,” these masons of the East Coast Hip Hop sound have teamed up for a March album that’s fully collaborative. Whereas 2000′s Industry Shakedown was a mosiac from the likes of Pete Rock, Diamond D and The Alchemist, The Kolexion is a project the fans have been asking for and brings Premier back to one of the fiercest emcees of the Gang Starr Foundation glory years. We anticipate a mosaic of wisdom and aggression.

Live From The Underground by Big K.R.I.T.


Few artists have the ability to appeal to the streets and the college campuses as well as Meridian, Mississippi’s Big K.R.I.T. With two mixtapes that easily could have been albums held in the highest regard, the Cinematic/Def Jam emcee, like J. Cole has the ability to make an album entirely by himself that could change the face of Hip Hop. Given K.R.I.T.’s history of working with icons that influenced him such as 8Ball & MJG, Devin The Dude and Ludacris, even if that’s not the case, the expectations for this are high. Plus, with Sha Money XL (who made classic albums with 50 Cent and Game as G-Unit Records’ former President) having a strong hand in the project, this is an album that could prove to be another Def Jam southern game-changer in the line of debuts from Ludacris, Young Jeezy and Rick Ross.

Good Kid In A Mad City by Kendrick Lamar


After making the “album of 2011″ (according to us, anyway), Compton, California’s Kendrick Lamar is expected to go right back and drop another one. Good Kid In A Mad City, as its known now anyway, finds Jay Rock’s lil’ homie dealing with rumors of an Aftermath deal, Tech N9ne, Game, and Drake working with him, as well as a whole different place than he was in just a year ago. We hope the supporting cast is as obscure as they were last time (GLC, RZA, J. Cole, Terrace Martin), but that one of the smartest 24 year-olds you’ll ever meet has more anthems that carry Hip Hop out of its stupor.


God Forgives, I Don’t by Rick Ross


Few superstars have the ear for beats that Ricky Rozay possesses. Just as Teflon Don was one of the best-produced albums in recent years, we expect a refreshed (hopefully healthier) Rawss to make another gem. With the Maybach Music Group compilation and Wale’s sophomore LP being winners of 2011, this seems in the cards to one of the biggest voices and personalities in Rap since the 1980s. Moreover, like Drake and Lil Wayne, Rick’s guest-lists usually pack surprises that change lives, just ask Styles P.

R.A.P. Music by Killer Mike & El-P


Ten years ago, this collaboration would have sounded like a clunky April Fool’s joke. However, Company Flow-meets-Dungeon Family next year, as Brooklyn-meets-Adamsville. Mike Bigga and El-Producto have been at work on this album for years, and two of the smartest guys in Hip Hop music are expected to make joints that sound informed as well as experimental. Hopefully it puts each talent in front of audiences previously not exposed to their greatness. El-P’s track record with producing others’ albums (see Cage’s Hell’s Winter and Cannibal Ox’s The Cold Vein) is of the highest level. We are trying to get subs back in the trunk before this rolls out.

Pink Friday: Roman Reloaded by Nicki Minaj


The emcee with 2010′s “Verse of The Year” has proved herself to be one of Rap’s most animated lyricists since Busta Rhymes. While her debut, Pink Friday may have been guilty of trying to do too much, after strong appearances with Lil Wayne, Drake and Big Sean, Oneka is the one to watch in ’12. Mainstream Hip Hop fans should tune in to see this 2008 DXnext alum step in and give Lil Wayne a run for his millions as YMCM’s sharpest spitter.

The Make Believe Album by David Banner


2005 belonged to Houston. 2008 belonged to Detroit. 2012 may belong to Mississippi. The Magnolia State’s Hip Hop pioneer David Banner, along with K.R.I.T. may shake things up with brutal honesty over-top self-produced beats. After making ethery commentary on 2011′s “Swag” (an inclusion on The Make Believe Album), expect D.B. to come out vocally swinging. In late ’10, David brought out one of his strongest works to date in Death of A Pop Star. Now removed from the controls of SRC Records, this Rap veteran may do for ’12 what Killer Mike did for ’08.

Godfathers by Kool G. Rap & Necro


For years, Necro’s rhyme delivery has been compared to Kool G. Rap, and the Psycho Logical Records’ founder will proudly admit that the Juice Crew spitter is a deep influence. As not all G Rap works have sounded cohesive since Roots of Evil, hardcore Hip Hop fans can count on this merging of the musicians to sound grimier than New York in the 1970s. Meanwhile, this is a perfect vehicle for Necro to bring his brand of “Death Rap” and amazing sources for sounds back into the ears of common Hip Hop fans. As Riches, Royalty and Respect went under the radars of most, this is a perfect collaboration for two cult followed icons.

What albums are you most looking forward to in 2012?

Young Jeezy, DJ Drama Reunite On The Real Is Back

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With his oft-delayed fourth solo album, TM 103, in label limbo, Young Jeezy took it back to basics and reunited with DJ Drama on his latest mixtape, The Real Is Back.

Jeezy and Drama together, that’s a clear win-win, man,” Drama told Mixtape Daily. “N—as gonna stop actin’ like we ain’t built this. You like our style, you watch our style, we still own our style.”

As self-serving as his boasts may seem, Drama and Jeezy are credited with popularizing a unique brand of trap music that has dominated Southern rap since the early 2000s. At first, the rap/DJ tandem were inseparable, starting with their 2004 tape Tha Streetz Iz Watchin’ and their 2005 classic Trap or Die. A rift then started to grow between the two, but in December 2009 Jeezy appeared on Drama’s “Gangsta Grillz Radio” show on Atlanta’s 107.9 and they buried the hatchet.

Now the duo are back to work, returning to grace on The Real Is Back. “Me and Drama had a couple of conversations. When I came through the station, we chopped it up. We was talkin’ about doin’ another tape because we had so much history as far as The Streets Is Watching, Trap or Die, the list goes on and on,” Jeezy said. “It just was time, the streets needed it. So I had to get in the studio, had to do my whole one, two thing. As usual, he was on point.”


The tape is filled with street-centered anthems like the kinetic “How U Want It.” The track features a menacing instrumental on which Jeezy employs his patented slow flow and trap-raps. “How you want it, hard or soft/ Get ‘em in, get ‘em off,” the Snowman spits.

Lil Wayne appears on “Ballin’,” while Fabolous helps out on “Rollin’.” Still, Jeezy keeps his ear to the street and also collaborates with underground ATL spitter Alley Boy as well as CTE’s new signee Freddie Gibbs on “Run DMC” and “Do It for You.” There are no attempts at big radio singles here, just hard-edged street-hop.

“We invented the wheel when it comes to that type of music and that type of tape so we just did what we did,” Jeezy said of his reunion with Drama. “I felt like I wanted to take it back to what I do. Young Jeezy, nothing else. I’m not trying to sell this to nobody, I’m trying to do what I did in the beginning: go hard.”

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Gorilla Zoe Returns With New Deal, Album ‘King Kong’ Set For Oct.

Posted: Wednesday – September 1, 2010

Gorilla Zoe is working on a new album, after recently completing a deal with Block Entertainment, E1 and Atlantic Records.

The new deal will allow the rapper’s third studio album King Kong to be on shelves by October.

“A new era of Block Entertainment is launching through my partnership with eOne and Atlantic,” Russell “Block” Spencer told AllHipHop.com in a statement.” Gorilla Zoe is first up on my team to takeover with his third solo album, King Kong.”

Block Entertainment is known for launching or helping guide the careers of artists like Boyz N Da Hood, Rick Ross, Young Jeezy, Jody Breeze and others.

“I’m thrilled to be working with Block Entertainment and Atlantic Records,” said E1 President Alan Grunblatt. “Gorilla Zoe is a great artist and Block is a music visionary. Three labels are better than one!”

Gorilla Zoe’s new album King Kong has an official release date of October 26th.

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