Kendrick On ‘Control’ Controversy: Maybe I’ll ‘Dumb Down’ My Lyrics Now

Rap News - Kendrick On 'Control' Controversy Maybe I'll 'Dumb Down' My Lyrics Now

With his controversial “Control” verse, Kendrick Lamar challenged his rap peers to get better. So it’s ironic that after the fallout from his fiery bars on the Big Sean track, K-Dot now feels like he may have to tone down his complex lyrics. “It made me go back here and made me feel that I probably need to dumb down my lyrics nowadays, for people to take it way out of context the way they did,” the Top Dawg MC said during an interview with Hot 97 radio personality Peter Rosenberg, which aired on Thursday morning (August 29).

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The 10 Wildest Beefs Of All Time

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After Kendrick Lamar went after all his peers, a look back at the craziest, funniest and most serious hip-hop feuds ever. Kendrick’s verse is technically more of a healthy competitive challenge between friends than an actual threat. But it got us thinking about the greatest rap beefs ever, from the deeply silly to the all-too-serious. Here’s our definitive countdown:

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Big Sean Explains New Album Title

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Sean came clean about the meaning behind Halls Of Fame: Memoirs Of A Detroit Player recently. The G.O.O.D. Music rapper spoke to Hypebeast about his sophomore drop, which features production from Kanye West, No I.D. and KeY Wane.
“I feel like anybody who does what they love to do or is trying to do with their lives that works hard, they’re trying to get to their own hall of fame in they own way, you feel me?” he said.

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Gucci Mane Loses $270,000 in Diamond Lawsuit

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TMZ is reporting that rapper Gucci Mane, real name Radric Davis, lost $270,000 in a lawsuit filed by a Georgia based jewelry company. The company sued the rapper for stealing diamonds. A&A Diamonds filed a lawsuit against the rapper in Henry County, GA claiming they had loaned Gucci Mane a $130,000 pinky ring, and a diamond necklace and bracelet that totaled $110,000. The lawsuit stated that Gucci had 15 days to pay for the jewelry or return it, and he did neither. He only paid the company $40,000 of the money they claim he owed.

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The Most Anticipated Hip Hop Albums Of 2012

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The staff at Gutta World highlights 10 releases this year that we are personally excited about. And no, we’re not counting on “Detox” either.

After so many colorful releases in 2011, Hip Hop fans have a lot to look forward to in 2012. No, we’re not actually basing our hopes on Dr. Dre’s Detox or Jay Electronica’s elusive debut, the mythical merger of Nas and DJ Premier or the long-delayed complete reunion of Goodie Mob. Like any fan, we would love if any or all of those released before we purchased new calendars, but there are a plethora of albums already underway that have a ton of promise in making this year musical.

Younger artists who had powerful impact in ’11 as well as some “golden era” alumni keeping the hardcore alive are slated to make bold statements with their music this year, and the Gutta World staff sat down and compiled 10 releases that we can count on, and why we think they’ll make 2012 all the more exciting.

The Ecology by Fashawn


Few debut albums in recent memory were as potent and honest as Fashawn’s 2009 debut Boy Meets World. The independent release, produced entirely by Exile, helped rush the forefront of a West Coast renaissance of music coming from young emcees with wisdom well beyond their years. Late this summer, when the Fresno DXnext alum announced that he was going to uphold the formula with Ex on the boards, the Gutta World staff rejoiced. Expect colorful sample-driven sounds and common-man themes as the Young Santiago helps expand his legacy as one of the more resonant voices of this time. As Common, Talib Kweli and Mos Def all began as independent artists in the ’90s before reaching mainstream stature, Fash is another poised to have that kind of impact.

Trouble Man by T.I.


2010′s No Mercy felt like a rushed T.I. album, as the Grand Hustle founder was quickly recording as a free man before serving for his latest (and hopefully last) felonious brush with the law. Given Tip’s track record for every-other-album being outstanding (see Paper Trail and King), the album sharing a name with the Marvin Gaye hit sounds audiobiographical and brutally honest before it even nears roll-out. Hopefully the man who made Atlantic Records relevant to Rap music can go in and delicately walk that line with a mainstream-friendly album that still carries plenty of trappings.

The Kolexion by Bumpy Knuckles & DJ Premier


Dating back to O.C.’s Jewelz, Bumpy Knuckles and DJ Premier share a musical chemistry that reflects their strong personal bonds. Two “kings of the underground sound,” these masons of the East Coast Hip Hop sound have teamed up for a March album that’s fully collaborative. Whereas 2000′s Industry Shakedown was a mosiac from the likes of Pete Rock, Diamond D and The Alchemist, The Kolexion is a project the fans have been asking for and brings Premier back to one of the fiercest emcees of the Gang Starr Foundation glory years. We anticipate a mosaic of wisdom and aggression.

Live From The Underground by Big K.R.I.T.


Few artists have the ability to appeal to the streets and the college campuses as well as Meridian, Mississippi’s Big K.R.I.T. With two mixtapes that easily could have been albums held in the highest regard, the Cinematic/Def Jam emcee, like J. Cole has the ability to make an album entirely by himself that could change the face of Hip Hop. Given K.R.I.T.’s history of working with icons that influenced him such as 8Ball & MJG, Devin The Dude and Ludacris, even if that’s not the case, the expectations for this are high. Plus, with Sha Money XL (who made classic albums with 50 Cent and Game as G-Unit Records’ former President) having a strong hand in the project, this is an album that could prove to be another Def Jam southern game-changer in the line of debuts from Ludacris, Young Jeezy and Rick Ross.

Good Kid In A Mad City by Kendrick Lamar


After making the “album of 2011″ (according to us, anyway), Compton, California’s Kendrick Lamar is expected to go right back and drop another one. Good Kid In A Mad City, as its known now anyway, finds Jay Rock’s lil’ homie dealing with rumors of an Aftermath deal, Tech N9ne, Game, and Drake working with him, as well as a whole different place than he was in just a year ago. We hope the supporting cast is as obscure as they were last time (GLC, RZA, J. Cole, Terrace Martin), but that one of the smartest 24 year-olds you’ll ever meet has more anthems that carry Hip Hop out of its stupor.


God Forgives, I Don’t by Rick Ross


Few superstars have the ear for beats that Ricky Rozay possesses. Just as Teflon Don was one of the best-produced albums in recent years, we expect a refreshed (hopefully healthier) Rawss to make another gem. With the Maybach Music Group compilation and Wale’s sophomore LP being winners of 2011, this seems in the cards to one of the biggest voices and personalities in Rap since the 1980s. Moreover, like Drake and Lil Wayne, Rick’s guest-lists usually pack surprises that change lives, just ask Styles P.

R.A.P. Music by Killer Mike & El-P


Ten years ago, this collaboration would have sounded like a clunky April Fool’s joke. However, Company Flow-meets-Dungeon Family next year, as Brooklyn-meets-Adamsville. Mike Bigga and El-Producto have been at work on this album for years, and two of the smartest guys in Hip Hop music are expected to make joints that sound informed as well as experimental. Hopefully it puts each talent in front of audiences previously not exposed to their greatness. El-P’s track record with producing others’ albums (see Cage’s Hell’s Winter and Cannibal Ox’s The Cold Vein) is of the highest level. We are trying to get subs back in the trunk before this rolls out.

Pink Friday: Roman Reloaded by Nicki Minaj


The emcee with 2010′s “Verse of The Year” has proved herself to be one of Rap’s most animated lyricists since Busta Rhymes. While her debut, Pink Friday may have been guilty of trying to do too much, after strong appearances with Lil Wayne, Drake and Big Sean, Oneka is the one to watch in ’12. Mainstream Hip Hop fans should tune in to see this 2008 DXnext alum step in and give Lil Wayne a run for his millions as YMCM’s sharpest spitter.

The Make Believe Album by David Banner


2005 belonged to Houston. 2008 belonged to Detroit. 2012 may belong to Mississippi. The Magnolia State’s Hip Hop pioneer David Banner, along with K.R.I.T. may shake things up with brutal honesty over-top self-produced beats. After making ethery commentary on 2011′s “Swag” (an inclusion on The Make Believe Album), expect D.B. to come out vocally swinging. In late ’10, David brought out one of his strongest works to date in Death of A Pop Star. Now removed from the controls of SRC Records, this Rap veteran may do for ’12 what Killer Mike did for ’08.

Godfathers by Kool G. Rap & Necro


For years, Necro’s rhyme delivery has been compared to Kool G. Rap, and the Psycho Logical Records’ founder will proudly admit that the Juice Crew spitter is a deep influence. As not all G Rap works have sounded cohesive since Roots of Evil, hardcore Hip Hop fans can count on this merging of the musicians to sound grimier than New York in the 1970s. Meanwhile, this is a perfect vehicle for Necro to bring his brand of “Death Rap” and amazing sources for sounds back into the ears of common Hip Hop fans. As Riches, Royalty and Respect went under the radars of most, this is a perfect collaboration for two cult followed icons.

What albums are you most looking forward to in 2012?

Jay-Z Protege J.Cole Preps For Music Spotlight

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J. Cole’s time on hip-hop’s sideline is almost over.

More than two years after being hand-picked by rap impresario Jay-Z as the first artist on the music mogul’s fledging Roc Nation imprint, the 26 year-old Cole hopes to repay his mentor’s faith in him when his long-awaited debut “Cole World: The Sideline Story” is released on September 27.

Thanks to the high-profile endorsement and several critically lauded free albums released online, Cole has established himself as a leading voice in a new generation of hip-hop talent that includes artists like Drake, Big Sean and Wale. The North Carolina-native told Reuters the album balances different styles and lyrical content that reflect his meticulous approach towards crafting music.

“Like some rappers have, on my debut I could have gone super commercial,” said Cole of the album, which features appearances by Drake, Missy Elliott, Trey Songz (who appears on the single “Can’t Get Enough”) and, of course, Jay-Z.

“I could have just filled the album with eight or nine potential singles and hope that some of them work. Or, I could have gone the other route and been super stubborn, using only the personal material and not even worry about selling any records. What I ended up doing was the perfect balance of both. I have a number of all of those styles; the personal, deep records that are almost tear-jerkers and the fun, carefree records and super lyrical songs.”

MENTORED BY JAY-Z

Cole began pursuing a career in hip-hop while attending college at St. John’s University in New York City. Eager to prove himself in 2007, he waited for Jay-Z outside a Manhattan studio for hours in hopes of passing a demo CD to the legendary Brooklyn emcee, who initially brushed him off.

But two years later, upon hearing the song “Lights Please” from Cole’s first mix tape “The Come Up,” Jay-Z made the young artist the centerpiece of his new Roc Nation venture, and Cole credits his boss for contributing to his growth as an artist.

“He gave me a long leash to try and figure this thing out, make mistakes along the way, do the right thing,” said Cole. “He was always there overseeing and looking over my project and giving me advice on what direction I could take.”

Cole said that for a six-month period, he would bring his mentor potential singles, play songs for him and try to prove his worth.

He said he learned not to wait before he had a full song to pitch, but to take Jay-Z ideas that could be fleshed out by working with the head man.


“You get advice just through conversation,” Cole said about their relationship. “It’s not always about music. It’s about personal stories that happened when he was coming up, like when he realized he was on another level, when his fan base changed and how he handled it.”

Jay-Z’s advice for dealing with fame should be particularly useful to Cole, who’s own celebrity status is on the rise.

Earlier this month, he had his first brush with the tabloids when rumours began to swirl that he recorded a sex tape with fellow Roc Nation artist Rihanna while serving as an opening act on the singer’s Loud tour. Cole quickly denied there was any tape.

Even with the new found attention and pressure of high expectations, Cole is confident his debut will satisfy both his fans and his critics.

“I just want to win for everybody,” he said. “I want to win for myself, I want to win for my fans, I want to win for Jay-Z and the label and my management. Even more than myself, I want everybody else — the fans and the people I’m in business with — to be rewarded. I want them to know that they were right and they were dealing with something special.”

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