Beyonce’s Baby Triggers Church Vandalism

Rap News, Hip Hop News - Gutta World

Date: Wednesday, January 11, 2012



Beyonce’s new baby Blue Ivy Carter is the devil incarnate — this according to some heartless vandal who defaced the sign in front of a North Carolina church yesterday … writing, “Beyonce had her baby. Satan is on Earth.”

The pastor at Beulah Hill Baptist Church in West End, NC tells TMZ, he discovered the vandalism yesterday after receiving numerous complaints from locals — and removed it immediately.

The pastor insists, the church had nothing to do with the apocalyptic message … it was simply the victim in a random act of mischief.

Blue — Satan? No. Illuminati? ALMOST DEFINITELY.

Why Do Rap Artists Love Suicide Doors?

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Date: Monday, January 9, 2012



Suicide doors—often referred to by automobile manufacturers as “coach doors” and “freestyle doors”—are car doors that are hinged on the side closer to the trunk rather than at the front. Sometimes rear-hinged rear doors are combined with front-hinged front doors (as in the photo above) to create a yawning effect when both doors are open. Popular in the early 20th century, suicide doors were largely abandoned by car manufacturers after the 1960s. They began reappearing sporadically, however, on new models in the late 1990s and early 2000s, around the same time they began appearing in rap lyrics.

Why did suicide doors fall out of fashion after WWII? It may have something to do with the fact that they’re not terribly practical. By some accounts, getting into and out of cars with front-hinged front doors and rear suicide doors requires careful maneuvering, since—if there’s no pillar between the doors—the front door must be opened before the back door can open. But the alternative, a rear suicide door that’s not secured by a conventional front door, can be dangerous: If the suicide door becomes unlatched while the car is in motion, the air flow will throw it open, making it very difficult to close. One automobile journalist has suggested that suicide doors may have been a murder weapon of choice among 1930s gangsters (and that the very name “suicide doors” may be gangster innuendo)—if you want to throw someone out of a car, it’s much easier to get his door open if it’s hinged at the rear than at the front. And suicide doors have been associated with 1930s outlaws in the popular imagination; consider the titular characters’ car in Bonnie and Clyde, or gangster-movie icon James Cagney in this photo.

This association might go part of the way toward explaining why suicide doors are so popular in hip hop lyrics, which often draw on gangster imagery. Songs like Jay-Z and R. Kelly’s “The Return” and 50 Cent’s “Gunz Come Out” place the term “suicide doors” in close proximity to allusions to gun violence. Suicide doors evoke an Al Capone-era vibe that jibes with the threatening demeanor rappers often cultivate.

More commonly, though, suicide doors are presented in hip-hop as luxury items. Relatively unusual on contemporary cars, suicide doors are a marker of an old or rare automobile—or one owned by someone wealthy enough to make complicated aftermarket modifications to his vehicle. Tity Boi mentions that his suicide doors are on a Bentley (“Call Tiesha”), while Wigs of Theodore Unit boasts that his suicide doors are on his “0-5 Benz” with “lazy-eye lights and the apple suede floors” (“It’s the Unit”). Gorilla Zoe’s “Take Ya Shoes Off” is an ode to a car that has not only suicide doors but also “mink seats bucket” and “suede on the roof”—a car so opulent that Gorilla exhorts everyone wishing to enter it to remove his or her footwear first.

Some romantically minded lyricists have used suicide doors’ capacity to open wide as a metaphor for sex. In “69,” T-Pain invites the object of his desire—for whom he has “been doin’ tongue exercises”—to exchange oral sex “in the back of my Lincoln with the suicide doors.” Juelz Santana’s analogy in “New Star in Town” is less subtle: “Let me open up your legs like suicide doors,” he pleads.

This request may not be a persuasive one, but Santana’s simile works (recall the yawning effect), and it highlights the symbolic richness of suicide doors: They can credibly evoke death, money, and sex—a lyricist’s trifecta.

Jay-Z & Beyonce’s Bodyguards Control Lenox Hospital ICU

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Date: Monday, January 9, 2012


Over the weekend (Jan. 7), the music industry’s ultimate power couple welcomed their first child, Blue Ivy Carter. But not everybody is over the moon about Beyonce and Jay-Z’s new bundle of joy. One Brooklyn man is fuming over Bey and Jay’s presence at New York’s Lenox Hill Hospital and insists that the celeb couple’s security denied him access to visit his premature newborn twins and wife in the intensive care unit.

Now, Neil Coulon is demanding an apology from the world’s favorite music couple, whose presence at the hospital seems to be having a disruptive effect. Allegedly, Bey and Jay’s bodyguards upset multiple New Yorkers by keeping new parents and their relatives out of the wards, waiting rooms and even hallways in order to protect Beyonce and Jay-Z’s privacy.

Coulon told New York Daily News “Three times they stopped me from entering or exiting the NICU and it happened once on Friday — just because they wanted to use the hallway.” The father continued, “They should have been more strategic about it. These are children with problems in intensive care and you’re just going to take over the hospital like you own it? “All I want is an apology.”

According to Coulon, the notoriously private celeb couple seriously crossed the line trying to ensure their seclusion in the hospital. “I know they spent $1.3 million and I’m just a contractor from Bed-Stuy [Bedford-Stuyvesant], but the treatment we received was not okay … My wife is just terribly upset. She had a C-section. She gave birth to twins … Nobody needs this … This is the NICU. Nobody cares if you’re a celebrity. Nobody is star-gazing. They just want to see their children. To have that circus roll into town and ruin our parade was unpleasant.”

Lenox Hill Hospital spokeswoman Anne Silverman responded to Coulon’s accusations saying, “We take patient satisfaction very seriously. This is the first time I’m hearing about it.”

Do you think Coulon and his family deserve an apology? And will Hov and B oblige his demands?

BREAKING NEWS: Beyonce’s Bouncing Baby Blue

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Date: Sunday, January 8, 2012


Beyonce has given birth to a baby girl. As E! News reports, the superstar welcomed Blue Ivy Carter late Saturday night (Jan. 7), delivering via planned C-section at New York City’s Lennox Hill Hospital. Reps have yet to confirm the story, and according to the New York Daily News, the baby’s name is actually Ivy Blue Carter.

Either way, famous friends have already begun tweeting about the momentous event. Russell Simmons congratulated the singer and husband Jay-Z early Sunday morning, followed minutes later by Rihanna.

“Welcome to the world princess Carter!” the singer tweeted. “Love Aunty Rih.”

The diva’s pregnancy has made headlines from the day Bey announced her baby news at the MTV VMA’s this past August. Since then, Mrs. Jay-Z has been accused of faking her pregnancy bump, reportedly built a 2,000 square foot nursery in her Manhattan penthouse, been given a crystal-encrusted baby bathtub for a shower gift and, oh yeah, released four music videos and a live concert DVD. Girlfriend had one busy pregnancy!

Congrats to both Bey and Jay. We can’t wait to see baby pics!

Will Diddy And Jay-Z Be First Hip-Hop Billionaires? Not So, Says Birdman

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In the high stakes battle for Hip Hop superiority, it appears that the two top money earners in the rap game – ShawnJay-ZCarter and SeanDiddyCombs respectively – are in a quiet duel to become the first billionaires by way of their shared industry.

With various streams of revenue flowing for both savvy businessmen, some unrelated to music, the potential is vast for both men according to a recent analysis from Forbes magazine. However, another Hip Hop mogul believes he and his team will eclipse Jay-Z and Diddy in the money race all in due time.

CEO of Cash Money Records BrianBirdmanWilliams threw his and protégé Lil Wayne’s Young Money imprint names into the billionaire sweepstakes pot, defiantly stating that the YMCMB machine is well on its way to the top. “I think Young Money Cash Money would be the first billion-dollar brand in hip-hop,” said Birdman plainly in an email to Forbes referencing his label ventures. “We strong and growing every day as a brand and fast. Within the next few years we will be billionaires.”


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According to Forbes numbers, Diddy is at the halfway mark with an estimated net worth of $500 million, much of that tied up in Diddy’s business ventures such as his Sean John and Enyce clothing lines along with his stake in Ciroc vodka. Jay-Z is right behind his rich pal with assets that include a lucrative $10 million dollar Live Nation deal, the 40/40 club chain, cosmetic company Carol’s Daughter and his partial ownership of the New Jersey (soon to be Brooklyn) Nets amongst other deals. Continuing the dollar tally, only Dr. Dre and 50 Cent are within range for the coveted billionaire status.

Jay-Z Protege J.Cole Preps For Music Spotlight

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J. Cole’s time on hip-hop’s sideline is almost over.

More than two years after being hand-picked by rap impresario Jay-Z as the first artist on the music mogul’s fledging Roc Nation imprint, the 26 year-old Cole hopes to repay his mentor’s faith in him when his long-awaited debut “Cole World: The Sideline Story” is released on September 27.

Thanks to the high-profile endorsement and several critically lauded free albums released online, Cole has established himself as a leading voice in a new generation of hip-hop talent that includes artists like Drake, Big Sean and Wale. The North Carolina-native told Reuters the album balances different styles and lyrical content that reflect his meticulous approach towards crafting music.

“Like some rappers have, on my debut I could have gone super commercial,” said Cole of the album, which features appearances by Drake, Missy Elliott, Trey Songz (who appears on the single “Can’t Get Enough”) and, of course, Jay-Z.

“I could have just filled the album with eight or nine potential singles and hope that some of them work. Or, I could have gone the other route and been super stubborn, using only the personal material and not even worry about selling any records. What I ended up doing was the perfect balance of both. I have a number of all of those styles; the personal, deep records that are almost tear-jerkers and the fun, carefree records and super lyrical songs.”

MENTORED BY JAY-Z

Cole began pursuing a career in hip-hop while attending college at St. John’s University in New York City. Eager to prove himself in 2007, he waited for Jay-Z outside a Manhattan studio for hours in hopes of passing a demo CD to the legendary Brooklyn emcee, who initially brushed him off.

But two years later, upon hearing the song “Lights Please” from Cole’s first mix tape “The Come Up,” Jay-Z made the young artist the centerpiece of his new Roc Nation venture, and Cole credits his boss for contributing to his growth as an artist.

“He gave me a long leash to try and figure this thing out, make mistakes along the way, do the right thing,” said Cole. “He was always there overseeing and looking over my project and giving me advice on what direction I could take.”

Cole said that for a six-month period, he would bring his mentor potential singles, play songs for him and try to prove his worth.

He said he learned not to wait before he had a full song to pitch, but to take Jay-Z ideas that could be fleshed out by working with the head man.


“You get advice just through conversation,” Cole said about their relationship. “It’s not always about music. It’s about personal stories that happened when he was coming up, like when he realized he was on another level, when his fan base changed and how he handled it.”

Jay-Z’s advice for dealing with fame should be particularly useful to Cole, who’s own celebrity status is on the rise.

Earlier this month, he had his first brush with the tabloids when rumours began to swirl that he recorded a sex tape with fellow Roc Nation artist Rihanna while serving as an opening act on the singer’s Loud tour. Cole quickly denied there was any tape.

Even with the new found attention and pressure of high expectations, Cole is confident his debut will satisfy both his fans and his critics.

“I just want to win for everybody,” he said. “I want to win for myself, I want to win for my fans, I want to win for Jay-Z and the label and my management. Even more than myself, I want everybody else — the fans and the people I’m in business with — to be rewarded. I want them to know that they were right and they were dealing with something special.”

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